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Real Magic Spells

Magic Spells Explained

What is a Magic Spell?

In popular culture a magic spell is believed to be the operative term for "doing magic".  I think if you asked most people about this, they would answer that someone who "knows magic" casts spells when they want to "do magic".


I am not poking fun or being mean-spirited when I say this is not a good representation of the facts. The simple reality is, if a person is not involved in an activity we can't expect them to comment accurately about aspects of that activity.


The Short Version:


The easiest and most direct explanation of a magic spell...


The written or spoken part of a magical act or operation; words charged with specific energy and used to create a magical effect.


A muoth speaks magick words and magic words rise off the pages of a book.

A magic spell is the verbal component of a magical act.

When someone who studies and practices magic commits to a magical act or magical operation, the spoken or written words involved in that work are the spell. In the present day the spell is often called the incantation.


Sometimes the spell or incantation can be a magical act by itself. Other times the words are added to other techniques or procedures and this combination creates the magical effect.



How To Cast a Spell?

The how-to for a magic spell depends on the nature of the magical work being undertaken, which in turn is determined by your intentions - what you seek to accomplish with the magical work. 


A spell is a type of...


MAGICAL ACT A single, simple magical procedure or action usually involving one intention and thus creating one magical effect.


or...


 MAGICAL OPERATION A more complex magical procedure consisting of two or more magical acts; generally resulting in a more complex or multi-faceted magical effect.

 

A boy studies techniqe, performs an act, then performs a more in-depth magickal operation.

After you learn a few basic concepts, the building blocks of active magic are: magical techniques, magical acts, and magical operations.

Building Blocks of Magic


The building blocks of magical work are:


  1. Magical Techniques
  2. Magical Acts.
  3. Magical Operations.


Magical Techniques

Techniques are the basic building blocks for actual magic. These are the simplest of magical executions and processes that are put together to make a complete magical act.


Examples of techniques in magic include but are not limited to:


  • Drawing simple symbols in a particular manner, i.e. left-to-right, top-to-bottom, etc.
  • Drawing with intention.
  • Raising energy in your core, between your eyes, or the palms of your hands.
  • Projecting energy outward from your hands or otherwise.
  • Pulling energy into your body or mind.
  • Uttering - as in speaking, chanting, singing, or shouting - with intent, or projecting intention via words.


Magical techniques may create an observable magical effect, or they may initiate processes and set forces into motion that require additional techniques to produce some kind of effect taking place either within you, in the world around you, or in both you and the world.


Magical Acts

Two or more techniques combined to produce a magical effect constitute a magical act. These are often short and simple and can take as little as a few seconds to perform. They can sometimes be more complex and take more time, up to a few minutes.


Most magical acts can produce an observable or experienceable magical effect. These effects can range from simple to complex.


Examples of simple magical acts include:


  • Drawing a simple symbol in a particular manner and with a specific intent.
  • Projecting a particular kind of energy from your core, down your arm, and out through a finger or a wand.
  • Reciting specific words in a particular manner with the clear intention to produce a specific effect.


Notice how the example acts above expand on the simple techniques in the previous section.


Magical Operations

A magical operation is a more complicated procedure composed of two or more magical acts. This is the true workhorse of magical work, used to produce the most complex magical effects or to create simple effects with maximum efficacy and impact.


A magical operation might involve these steps:


  1. Drawing a particular symbol in four clearly defined steps from bottom-to-top while projecting a clear, strong intention into each step or stroke of the pen.
  2. Reciting a poem about the desired magical effect, speaking each syllable slowly and deeply as you infuse each word with an exact intention.
  3. Bringing the energy of a specific color that is related o your intended effect into your body and placing your intention into that color.
  4. Projecting the charged color-energy from both hands and out your third eye into a moment in the future.
  5. Visualizing the exact outcome you desire as if it were happening in that moment and being grateful for the result.


This is just one of many examples of how an operation could be constructed. Some operations are ritualistic and others are more freestyle or spontaneous. 


About Magical Workflows

Often times instructions for magical acts and operations will be given explicitly. Sometimes these are not stated specifically, leaving the magician with only a framework he or she must decide how to enact. As you learn to develop your own spells and magical procedures (acts and operations) you will of course need to determine the workflow yourself. 


A magical workflow is the order in which you complete the steps of a magical working. More than a sequence, the workflow is also a map of energy  channeling, placement of will, and the moving of forces that deliver your instructions to the magical agent.



Before you get started learning magical techniques you of course need to do a quick checklist to be sure you have a few basic assets in place. I don't mean money - I'm talking about the fundamental intentions and movements that allow you to practice magic.


The good news is, if you don't have these right now you can acquire them over the next few days with a little patience and practice.


Basic Skills Needed
for Magical Work

Intentions and Movements

The ground-level, basic abilities you need to begin magical work are not psychic abilities or a sixth sense. These are great but they are not required for successful magic.


TO BEGIN LEARNING MAGICAL TECHNIQUES:


You need to be able to...


  • Relax at will. Not Zen-master level relaxation, just be able to dump the tension from your neck and shoulders (and hips) and chill in place for a minute or two.
  • Focus your mind on a single intention. Forget about whether or not you can do a thing or if it is even possible. You need only be clearly aware of the outcome you desire - no shifting back and forth between ideas - ONE intended result.
  • Concentrate. This is taking the initial focus and stretching it out for a few minutes without being distracted from your target.
  • Visualize. See vividly the outcome you desire as if it were the present state of things. This is a vital skill that leads to a higher-level skill called immersion - which I will teach you all about once you've nailed visualization.
  • Generate affirmative energy or positive emotions on demand. Emotions are energy-in-motion; the coincide with physical chemicals and molecules and thus are the same as energetic frequencies (e=mc² biotches). You are free to direct these energies as you will and can even generate them on demand. You need to be able to create and sustain the emotional states and ongoing feelings of joy, success, winning, victory, and so forth to apply within your magical work.


These are all intentions but they are also movements because they involve the moving of thoughts and emotions, which are energies and which also affect the physical state.


These fundamentals are made of the following qualities, which are good to cultivate and grow more of if you can:


  1. Patience - You will need plenty of this stuff to be effective. Honestly  without it you'll do yourself more harm than good.
  2. Attention to Detail -Another must. As you put your patience to work by not rushing your magic you will also want to take in as much as possible about your environment, your words and movements, and especially any formula you are following.
  3. ImaginationThis is the clay for the potter's wheel or the fuel for the fire. You'll need to image-in a vivid scene wherein you receive or witness the result you are working for. It is also helpful to imagine energy flowing into your words and gestures, for example.
  4. Creativity - You don't need to be Bob Ross or George Lucas but you need a desire to create or to leave your own mark on things. Magic is after all an art form through which you express yourself.


Additional movements that are helpful are listed below. If you are unable to enact the following movements due to physical conditions don't give up. If you can read and understand this page you have the baseline needed to enact magic regardless of your physical capacities.  If you are unable to perform any of the physical suggestions on this page improvise or contact me if you need suggestions.


Three people with different abilities imagine and visualize magickal energy.

People of every physical ability level can enact magic . There is always a workaround or alternative method.

  • Push a thought or feeling down your arm and out through your hand or visualize projecting your life force/vital energy along the same channel.
    • Aikido people call this extending your Ki; Tai Chi and Yoga offer similar exercises. 
  • Imagine a ball of energy - from your solar plexus or from the air around you - and hold it between your hands; make it grow until you feel the heat in your palms.
    • This is a common exercise taught by a lot of mystical and magical programs.
  • Hold the image of getting what you want or succeeding in your work, then exhale as you send the energy of success into that vision.
    • You could also just think of this as sending helpful energy into any scene you can imagine.
  • This next one is very cool! Get yourself a standard cube dice with six sides. Relax and be patient in the moment, choose to just have fun and see what you can do with this. NO STRESS OVER THE OUTCOME! Hold the dice in the hand you write with, choose a number you wish to roll, then project that number with all your willpower through your hand and into the dice for about 20 seconds. For good measure if you like, close your eyes and project the image of that number coming up when you roll and send this image through a spot between and slightly above your eyes , then out from there into the center of the dice. Roll the dice and see what happens; relax, have fun, and do this ten times when you can make time to concentrate on the steps.
    • The items on this list are exercises and they are skills you can practice and build, then improve upon. These exercises/activities are not magic; they are technically mysticism. I'll explain the difference later but for now the takeaway is mystical practices are beneficial for magical work.

Properties of a Magical State

Arrow flashing and pointing to righthand column.

I've been talking next door about the magical state of mind and body needed for magical work. Feel free to check it out then join me back here if you like.

What is the magical state like? How does it feel and how do you know when you are in the correct state for magical work.


This will be different from person to person but there are some common traits of the baseline altered state for magical work.


You might notice some of these characteristics when you enter the magical state.


  • Loose, at ease, free, spontaneous. 
  • Confident, brave, willing, compassionate.
  • Powerful, alive, joyful, happy, grateful.
  • Creative, inspired, alert or hyper-alert.


People often report greater access to their creative side, a fearless willingness to try new things, a flow of new ideas, or even greater clarity of the five senses. I personally find that ideas flow unrestrained and doubt vanishes; I am less attached to winning or losing and feel good just being and doing.


Study the brainwave frequencies and take note of alpha in particular. This state aligns with the baseline of what I call the magical state. Gamma aligns with pea performance and theta is linked to trance and deep states used for astral projection and spirit communication. 


Any time spent learning about the brainwaves hierarchy is time well invested. Any form of meditation is also highly beneficial for magical work.


Sensing Subtle Energy 


You will know whether you are in the proper state for magic by the way magical energies respond to your attention. It may take a little practice for you to become aware of the forces in motion and the energies that define the quality of your experiences with magic.


It's also possible you will sense these mystical and magical currents right away. This will depend on your level of psychic sensitivity. 


A high degree of psychic sensitivity is not required for magic. Psychic abilities and senses are different phenomena from magical forces. Practicing magic will, however, elevate your psychic sensitivity simply because  magical work puts you in regular contact with subtle energies - these are frequencies and vibrations that cannot be observed directly with the five senses nor measured with physical devices.

Subtle energy is the currency of magic, psychism, and mysticism.


The chakras, the aura, raw elemental energies, and planetary influences are some examples of subtle energies. They can be directed in a way that affects material space and reality but they are not physical energies. This gets complicated so I'll cover it on another page.


The Bonus Points list of exercises all deal with subtle energy in a basic way. Any of those activities will increase your awareness of subtle currents.



Before casting a magick spell a woman visualizing new home, love, money, and achievement.

You must be able to see your desires very clearly and you must believe they can be fulfilled.

clarity of desire

Desire is the pressure point that compels action, the fire that sustains effort and willpower, and the beacon that directs your intention. A weak desire will not generate sufficient motivation or power of will. A vague desire is difficult to aim for. An unrealistic desire can drain your energy and discourage you. It is critical that your desire be clear, strong, and believable.


You must:


Know exactly what you wish to receive, experience, or become (have, do, or be) as a result of the magic. Desire in detail but remain open to something even better or currently unknown.


Be certain you really want the thing you claim to desire. You can't truly desire something you "should want" nor can you desire a thing for yourself on behalf of another.


Be willing to pay a price or make a sacrifice to get what you desire. Everything is transactional.  


Believe the fulfilment of your desire is possible. Magic cannot do the impossible.


This sounds obvious enough but people regularly entertain half-hearted, ambiguous, lazy, and unrealistic desires. We must guard against this in the practice of magic lest we waste time and energy, subject ourselves to failure, and damage our intention-belief apparatus, making successful magic difficult over time.

 

Magical Desire


Most things are amplified and elevated in a magical context. The "magical version" of desire is necessarily more pure and potent; it is also unforgiving.


You may walk into an ice-cream parlor with  haphazard desire, but this approach to magical work is fruitless and can even be dangerous. If you don't have a burning desire leave the magic out of it.


The key is to enjoy the process of desire. Play. Have fun wanting the minutia but don't grasp or clutch and be open-minded to potential surprises.


Man strolls along the fantastical astral plane.

Mystical pursuits like astral projection and astral travel are highly beneficial to the practitioner of magic.

Antaia/Hecate finds a boy called to magick.

Antaia - also called Hecate, Cerridwen, and Enepsigos among others, is the initiator and personification of magic who finds those called to magic. I do not know if she is the caller or just the messenger.


Why Cast a Spell?

The purpose of a magic spell is of course to create a magical effect. 


A magical effect can mean many things, but in this context it means the desired result of the magic being enacted. Magic is used to bring about specific results the user desires.


EXAMPLE MAGICAL EFFECTS/RESULTS

  1.  A sick person feels better.
  2. Sadness decreases and changes into something better.
  3.  Someone who is deliberately causing trouble for you stops.
  4.  You find, are given, get s gig for, or otherwise receive $100.
  5. The phone rings and it's someone you want to hear from.
  6.  The neighbor's dog - or your dog - stops pooping in the garden.
  7.  You understand something you previously did not.
  8.  You feel safe and you make it home without incident.
  9.  It rains.
  10. It doesn't rain.
  11.  You communicate clearly and effectively at the right time.
  12.  You find something you lost.
  13.  Someone you love succeeds at something important to them.


Create. Alter. Preserve.

Look at the items on the list above. They can all be placed into one of three categories used to describe magical effects.


Magic is used to:


  1. Create something new.
  2. Change something that exists into something else.
  3. Preserve something as it is.


Creation

You can enact magic to create new feelings, ideas, opportunities, circumstances, and conditions. This includes the acquisition of material items and objects, as more money - for example - is a new condition.


Change or Transformation

Magic can be employed to alter the current state of something to a new state. This can take either constructive or destructive form, as either can be transformative. To destroy an enemy's will to fight is certainly changing a condition. In the example of gaining money, you could aim magic at transforming your state of lack to a state of plenty.


Preservation

Using magic to prevent change or maintain the current state of something usually takes the form of protection. Protective magic to insure a safe journey protects your current, safe state and prevents it from being changed.  Continuing with the example of using magic to gain money, you could place magic at the end of a money spell to protect your objective and prevent your attitude or the magic you unleash from being harmed by opposing forces.


Symbols express magick as creation, transformation, and preservation.

Magic can be used to create something new, change something into something else, or preserve something as it is.

How To Create a Magical Effect

To create a magical effect within yourself or in the world around you it is necessary to employ the Great Magical Agent. This agent is the magical force or set of forces that operates within higher realities or planes (sort of like other dimensions) to create your magical result and lower it into this material realm.


 I have an easy formula for creating magical effects and I'm gonna share it with you for free. Before I do that, however, there are two prerequisites you need to understand. In other words these are two things you must get a handle on before you can create a real magical effect. 


Two Prelims You Must Understand Before Magical Work

Your everyday state of mind and physiology are not suited for magical work. The consciousness and physical state you use to work your job, pay your bills, run errands, choose an insurance plan, and deal with tech support is an important aspect of your being but it cannot be used to connect with the subtle energies and magical forces that drive magical results.


Likewise your magical persona (explained shortly) is lousy for tackling the day-to-day tasks that make up your mundane life. If you try to go about your mundane business in a magical state you will likely end up daydreaming and or becoming emotionally exhausted in short order.


The mundane world and the magical realm are two distinct realities. You must approach them as such, being your everyday self for day-to-day living and assuming your magical persona to engage with magical energies and do magical work.


The first step to becoming your magical self is attaining a magical state of mind and body. Another term for this is "altered consciousness". Just like the shamans and Druids and Magi of old, we must enter an altered state of consciousness to successfully connect to the magical continuum or contact the magical agent. 


SPOILER ALERT: This does not mean you are required to use drugs or mind-altering substances to enact magic. You have that option and there are a range of different herbs, liquids, resins, etc. that will create an altered state but people often find it difficult to create a stable, productive experience with such methods. Simply put, the "high" or mood-altering effect becomes distracting and makes it difficult to focus or concentrate on the intended work.



   

A man meditates in right pane. A man draws a magical symbol in the left pane.

There are many ways to enter a magical state so you can connect to magical forces and I cover a few of them on this very site.

Fundamental Movements of magick to the left. Magickal state of consciousness below.
Condition and Circumstance

Words like state and condition can be interchanged and kicked around easily. In magical discussion it is very important to be clear about the meaning of words. 


For our context I will define these two words as follows:


CONDITION: This is the state you are in mentally, emotionally, physically, and spiritually*


CIRCUMSTANCE(S): This is the state and nature of your current situation,  which can include the present setting (this moment) and overall status in terms of finances, living arrangements, relationships & social milieu, health, and so on.


You may have heard or read the magical axiom...


As Above So Below.
As Within, So Without.
As the Universe, So the Soul.


Many people only recite the first line, which is fine. The complete axiom consists of three lines but the truth is contained in any single line. This simple passage tells us A LOT about reality but for right now what you need to understand is simply that while your circumstances effect your condition, it is equally true that your condition affects your circumstances.


If you can absorb and actualize that last statement you will have mastered magic before casting your first spell. 


Your state, from your thinking and emotional output to the way you feel in your body can absolutely affect the circumstances of your reality. In this way entering a magical state of consciousness (which includes mind and body) is both a prerequisite for magical work and an initiating magical act.


Magical State in Under a Minute

There are many magical states ideal for different types of work. The baseline state is a condition artists and athletes call the "flow state"; a condition old people like me once called "the zone" or "being int the zone" and a state neurologists refer to as "alpha-brain" or "alpha-brainwaves".


There is a ton of info online on how to achieve alpha state. Regular meditation is the best approach, and you can even take magnesium supplements if you like. Artistic activity, music, sports, physical exercise, martial arts practice, sex, and burning incense like mugwort, wyrmwood, vervain, frankincense, witch hazel, lavender, rue, and myrrh are all ways to attain a baseline magical state.


Exercise to change your state
in less than one minute


(May take longer the first time or two you try it.)


Before you begin intend, plan on, commit to, tell yourself  your are going to ATTAIN A MAGTICAL STATE OF MIND AND BODY. Do this and believe it. Calmly know you have told the truth.


  1. Open your hands, palms up. Notice the way the air feels against your skin and note the feel of your feet on the ground or your butt in the chair. Make fists with both hands; pay attention to the sensation of the fists, then let them go and place your palms down against your thighs or at your sides.
  2. Find a quiet place where you won't be disturbed.
  3. Turn off all devices.
  4. Sit or stand with your back straight and face forward.
  5. Open your hands, palms up. Notice the way the air feels against your skin and note the feel of your feet on the ground or your butt in the chair. Make fists with both hands; pay attention to the sensation of the fists, then let them go and place your palms down against your thighs or at your sides.
  6. Deliberately notice the tension in your neck, then let it go.
  7. Do the same for your shoulders.
  8. Then your hips; find the tension and let it go.
  9. OPTIONAL - Daydream about whatever you like for a minute or two. Obviously this makes the exercise longer than one minutes but if you have the time it is worth it.
  10. Whether or not you do #8,  continue the exercise by breathing out all or almost all the air in your lungs.
  11. Do this properly and your lungs will immediately grab a deep breath as soon as you finish exhaling. Let them.
  12. Notice your lungs filling up with air, then when the in breath is done slowly breathe back out. Don't worry about pushing all the air out this time just breathe.
  13. At the end of your exhale, when it feels right to do so breathe in nice and deeply one more time. Before you finish inhaling forget about breathing and  move on - your body will take it from here.
  14. Check your neck, shoulders, and hips one more time to let go of any tension.
  15. Close your eyes.
  16. You will now count backwards from three to one, making sure you are only giving attention to the number of your current count. Begin by saying and seeing "Three. Three. Three."
    1. Repeat "three" slowly three times, and visualize the numeral three as you speak. There is only the number three and nothing else.
    2. Next say "Two. Two.", taking a little longer with each word so it takes the same time to say "two-two" as it took to say "three-three-three". Visualize the numeral two as you speak; there is only the number two and nothing else.
    3. Next say "One." very slowly so that it takes just as long to say "one" as it took to say "three-three-three". Visualize the numeral one as you speak and allow your mind to only entertain the number one, for there is nothing else in the whole universe aside from your voice and the number one.
    4. Finally say "Zero" very slowly, taking as long to say this word as you took to say "three-three-three". This time visualize nothing; see only the black behind your eyelids because there is nothing, anywhere, other than your voice. 
  17. Open your eyes. 
  18. Open your hands, palms up. Notice the way the air feels against your skin and note the feel of your feet on the ground or your butt in the chair. Make fists with both hands; pay attention to the sensation of the fists, then let them go and place your palms down against your thighs or at your sides.


If you actually, honestly perform this exercise you will almost certainly be in an altered state of mind and body close or identical to alpha-brain or the flow. This is your baseline state for engaging with real magic.


The magical state is also the foundation of your magical self and the development of your magical persona. As you study and practice magic you will be creating another version of yourself.


Part of this process involves bringing new forces into your aura, mind, and body. Some of the work of forming a magical persona will  involve awakening dormant aspects of yourself.


Think of the magical persona as a compartment of your mind whose job it is to communicate with your soul and parts of your spirit that exist on higher planes. As your physical body performs the material work involved in making magic, parts of you on higher planes participate in the process by working on those planes with the materials and energies native to those states or realities.  


These different aspects of you merge to form a unified magical persona that interacts with the magical reality. This is the basis of the naming traditions in some schools of magic or traditions of witchcraft, where initiates take on a new name for their magical self.


A shimmering light appears in a magick study.

One definition of the Great Magical Agent is the fluid or substance on the astral plane from which a magical creation is molded and formed so it can be lowered into the physical world.

Once you are in a magical state you can contact the magical agent. Another way of saying this, as you have read above, is that i a magical state you are able to interact with mystical energies and magical forces.


Like much of what yo learn in magic studies, the Great Magical Agent is a concept used to guide your mind, intentions, and subtle energies during magical work. It is like a partner for the magician, existing on a higher plane of reality and executing the will of the magical operator.


You can connect with and work with the magical agent by:


  1. Thinking about the agent while you study and learn.
  2. Meditating on the agent regularly. 
  3. Focusing on the agent with the intention of connecting with it and controlling or commanding its movements at the onset of magical work.


Once you get into the mechanics of your magical techniques, acts, and operations you won't need to focus on the agent the entire time and control its every movement. After the initial conscious contact is made with the agent at the beginning of magical work, your unconscious mind will coordinate with it and with the higher aspects of your being on behalf of your conscious will.


The magical agent  is believed by many to be the non-physical substance on a higher plane (the astral plane for example) that forms the perfect likeness or image of your desired magical work and then works as a model used by magical forces to bring your intentions into this material world. Some schools of thought teach the magical agent is an intelligent force existing in all times and spaces that acts like a conductor and organizer of intention and subtle energies to produce a magical effect from your magical efforts.


These are only two versions of the magical agent, among many others. I like to conceptualize the agent as both of the above. Ultimately it does not matter what the agent truly is, or even if it exists at all. When we practice developing a connection with the agent and focusing our will through it reality behaves as if the agent is real and provides the magical effect we seek.

Four Steps to
Magical Effect

After you practice some fundamental movements and intentions and have learned some magical techniques it's really not that difficult to cast a magic spell or enact magic in another way. There are many possible methods for creating a magical effect


This four-step procedure is a straightforward starting point.


Before You Begin

  1.  Be sure to take the time to enter a magical state so you can interact with magical forces.
  2.  Know exactly what you want and believe it is possible.


Four Step Magical Action

This is called a magical workflow and it guides you through the attitudes and postures you will use to execute a set of magical instructions, i.e. magical acts and magical operations. 


There are two ways you may use this workflow:


OPTION ONE: Practice this routine often to build magical posture and habits. Then when you execute magical acts and operations be loosely aware of this format while you work through the instructions of the act or operation. 


OPTION TWO: These four steps can be applied to a single magical act or operation by breaking the procedure down into four parts that match these steps. For longer operations you may need to place multiple steps from the magical spell, ritual, etc. within each of these four steps. Or you could treat every individual act within an operation with this four-step process, cycling through the four steps multiple times until the end of the operation.


As I add spells in the online grimoire I will place this or other processes alongside the spells so you can see how the various operations may be divided into this and other workflows.


One: Embrace Infinite Potential

Expand your mind outward from your body to fill the room or area you are in. Close your eyes and imagine your awareness moving out in all directions to encompass the building you are in, then the entire property including the air above and deep into the ground below.


 Send this expanding awareness out across everything, everywhere in a flash. (To get good at this practice moving your awareness out in six directions: up, down, forward, back, left, right.) Dwell for a moment on the vastness of reality/the universe and recognize in this unlimited potential you ca choose and create as you will.


Two: Gather and Raise Energy

Let go of your expanded awareness and return to your body in the present moment. Focus on your solar plexus and imagine a ball of fire forming there. Cause this  area to heat up until you feel it glowing.


Bring energy from above down into the center of the top of your head then guide it down along your spine to the base. From the base of your spine let the energy radiate out and fill your body and aura.


Three: Charge The Magical Agent

Next imagine the scene of your victory. See the thing you desire happening and place yourself in that moment. Form a scene as vivid as life and immerse yourself within it; see the sights, hear the sounds, touch the objects and environment, engage any smells and tastes and smile at the people present. BE THERE and FEEL the thrill and triumph of your success. Then send the energy gathered in or around you up to this point into the the scene; use your willpower to impregnate your scene with your personal power and magical forces until you feel you have sent all the available energy where it needs to be.


Four: Direct and Release

Command what you desire to take shape and form in your reality. Send the charged scene and your intentions into the causal continuum and then let it all go. Maintain your will and command until you feel depleted  and then release your work into the magical process. Conclude your work, leave the area, and forget all about what has been done. Get on with the rest of your day feeling as though you have put in your end of the work; your unconscious mind, the magical agent, and any relevant spirits will now finish what you began. 

Collage oif people singing, preaching, and telling stories.

Song, Sermon, Sales Pitch

Words have power to inspire, compel, persuade, bring joy, instill fear, cause laughter, guide, command , teach and more. The words that mean "magic spell" in many languages are connected to many potent uses of verbal communication.


  • Anglo-Saxon "Galdor"song, singing, spoken charm.
  • Latin "Carmen": a song, chant, or poem.
  • Greek "EpaoidĂ©": a song sung over someone/something or against someone/something.
  • German "Spel": song, story, sermon, selling, and eventually a magic spell.


The modern, English "Incantation

which means the spoken or written part of magical work, i.e. a magic spell, derives from Latin roots that mean sing or chant.

Grimoires full of magick spells from the Middle Ages.

Spellings and Grammars

In Europe during the Middle Ages almost nobody could read or write. Literacy was seen as a magical ability by many, and of the few who could read or write in any kingdom many did in fact practice magic. Their books on proper magical grammar, spelling, and magical procedures were known as Grimoires. Today their are entire magical traditions based on the handful of magical grimoires surviving from the period between the 13th  and 17th century in Europe.

Little girl uses magick wand, man casts money spell, woman uses magic crystal

The Synonym

Although linguistically inaccurate, people in the present day say "magic spell" to reference any kind of magical operation. In reality the "spell" is the verbal - written or spoken - component of magical work.


There is very little coherence within the vocabulary of magic. The lexicon is filled with misnomers and poorly used terms. Hell we can't even agree how to to spell magic, as some insist on adding a "k" to placate stage tricksters and illusionists.


Therefore the use of the word "spell" to mean any kind of magical work is likely here to stay regardless of the inaccuracy of that definition. In common usage "a magic spell" can be one part of a magical procedure or it can be a complete magical action by itself.

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